Statement of Purpose
When reading individual poems I look for the creative spark first. I’m most drawn to poems that inform the reader; the word or line that pulls me into the poem or represents a change in thinking. For me that’s the moment when the poem takes flight. I believe poems should introduce questions, issues, characters, and images; and poets should use all the tools in their toolbox. In the same vein, good poems can reflect conflict and celebrate joy; each represents parts of the human experience. I always think of the poet CD Wright saying “you have deer here, but give me venison” meaning don’t shy away from details that enrich the work. Every poet has a unique voice and I enjoy discovering that voice in the work.
When evaluating chapbooks and full length projects, I believe that strength not length makes a good book. Most projects have themes and obsessions. As a consultant I try to find the strengths and weaknesses of those themes and see where it succeeds. I also think it's great when poets go off theme and the reader learns something new. When reading connected work, I ask where do the various threads lead? Any new discoveries? More importantly, do the poems speak to each other? I try to identify the poet's intention and work within those parameters. I believe most full-length projects represent a journey, so at the end of a book, the reader should be in a different head space.
My client roster includes
Palette Poetry, & more
Contact me if interested.